Dashcam – BFI London Film Festival Review
by Sarah Miles Coming up with a follow-up to a movie like 2020’s Host could lead to some real fear of a difficult second album. Host, the story of a group of friends on Zoom who decide that an online séance is a great way to beat the lockdown blues, and things go about as well as you might expect from that setup, was nothing … Continue reading Dashcam – BFI London Film Festival Review
The French Dispatch – BFI London Film Festival
by Robbie Jones There are many aspects of Wes Anderson that viewers will make a point of noting, from his idiosyncratic worlds and visual symmetry to the kooky characters to that inhabit his worlds. There’s a lot to be said for his aesthetic, but one of his greatest talents is in his writing. As a storyteller, Anderson frequently excels at coming of age tales and … Continue reading The French Dispatch – BFI London Film Festival
Shepherd – BFI London Film Festival Review
by Anton Bitel “Sometimes people just need solitude, you know,” says Eric Black (Tom Hughes) in writer/director Russell Owen’s Shepherd. Eric is explaining what has drawn him to become sole resident – apart from his dog Baxter and hundreds of sheep – on a remote coastal island. His addressee, the gruff, half-sighted boat woman Fisher (Kate Dickie) who is transporting him to his new job … Continue reading Shepherd – BFI London Film Festival Review
The Lost Daughter – BFI London Film Festival
An intriguing if uneven debut for Maggie Gyllenhall. Continue reading The Lost Daughter – BFI London Film Festival
7 Days – BFI London Film Festival Review
by Sarah Cook Art is and will always be, a reflection of our time, our history, and our imagination. So, it is natural that our art is going to be informed by the recent two years in the midst of a global pandemic. Since COVID struck, many have used COVID as a tool; whether it has helped craft their work like Rob Savage’s Host or … Continue reading 7 Days – BFI London Film Festival Review
Last Night in Soho – BFI London Film Festival Review
by Robbie JonesAs one of Britain’s most indisputably popular filmmakers, Edgar Wright has reached a point in his career where his work has become an event. Fans and critics have come to anticipate Wright’s signature style with each new release and, whether or not the film is good, revel in the pleasure of having experienced yet another journey into his cinematic landscape. Wright has made … Continue reading Last Night in Soho – BFI London Film Festival Review
