We love animation here at Movies On Weekends. So we’re excited for this quirky entry for The Big Bad Fox and Other Tales!
From the team who brought us Ernest and Celine, the film revolves around animal vignettes as a stork leaves a pig, a duck, and a rabbit in the care of our titular character.
Genuinely looking like a lot of fun, we’re completely excited for this film. What do you think?
Big Bad Fox is out 3rd August!
Hey, you want to watch a film with zombie Nazis, right? Sure you do. Here’s your chance!
Overlord revolves around a group of soldiers in WW2 who realise that there is something more going on with a Nazi occupied village. (Psst, it’s zombie Nazis.)
This intense trailer certainly looks intriguing. What do you think?
Overlord is out November 7
Sometimes you work hard to get things. Somethings you play elaborate schemes and games to achieve. Much like the subject of Kaiser.
The documentary revolves around Carlos Henrique Raposo, a man who convinced superstars, duped managers, and fooled criminals to trick people to believing he was a genuine sports star.
This film looks fascinating and definitely worth a look. What do you think?
Kaiser is out 29th July!
What would happen if everything on your phone or computer leaked? What if your neighbour new your porn history? What if your mother could see your sexts?
That’s what happens in this next film.
Assassination Nation revolves around a small town where everyone’s private lives are hacked and shared, causing them to descend into chaos.
Feeling like Heathers 2.0, Assassination Nation looks to be a perfect modern rambunctious black comedy. What do you think?
Assassination Nation is out 26th November!
by Kirsty Jones
Jenny Lu makes her feature directorial debut with The Receptionist, and places a spotlight on the heartbreaking and often desperate circumstances of those working in an illegal massage parlour in London. A film that was made possible through the support of her kickstarter backers.
Recently graduated and unable to find a job, Tina has landed on hard times and feels the burden of having to keep a roof over the head of herself and her recently unemployed boyfriend. Through chance. Tina is faced with taking a receptionist job in a questionable massage parlour. Unwilling to bend her morals, she refuses and persists in her search for a respectable job. But when that search continues to come up empty and the pressure of paying bills intensifies, Tina returns to the brothel; morals bent. The plot that follows is a paced, smouldering drama that shows the moral decline of a once promising young Taiwanese woman, and the heartbreaking fate of those in our society who fall on hard times. Lu’s inspiration for writing the screenplay came from the bleak prospects she was faced with after graduating and the experiences she witnessed of those around her.
On paper The Receptionist has the potential to be quite chaotic and messy, but what Lu delivers has all the stoicism of a contemporary English drama, and a soundtrack to suit – apart from the opening few scenes where the score holds an whimsical upbeat tempo in kin with the likes of BBC’s Sherlock! Where Lu could of taken the direction of reflecting the Taiwanese characters in the film’s production, she chooses to keep the look and feel of a British film. This is significant in that the story we’re watching isn’t of immigration and the culture of people from different nations but rather the hidden parts of our British society and how the vulnerable are taken advantage of by the corrupt.
Teresa Daley does well to carry the story with her portrayal of Tina, the characteristics of whom have the potential to be annoying if placed in the wrong hands. However, The true star of the film for me is Shiang-chyi Chen who appeared in Hsiang Chienns award winning 2014 film Exit. Chen portrays a hardened character but delivers a depth and complexity, the balance of which is sure to bring Shiang-chyi further attention and notoriety from the industry.
The Receptionist is not the horrifying, exposé documentary that might bring about change for the victims of the sex trade. However, the true talent of this film is to show shocking situations in a drama that isn’t so over the top that it allows you to escape the idea that these things do happen to real people. What Lu achieves to give a voice to those who can’t speak out while representing another facet of the troubles faced by female immigrants in the UK. Those slow burning embers that keep the plot line moving forward throughout will continue to keep the story burning with the audience after the credits roll.
The Receptionist is out Friday 20th July!