The King’s Man – Brand New Trailer

Matthew Vaughn’s action escapade about a very British brand of spies has proved extremely popular and catapulted Taron Egerton into superstar-dom. It’s sequel, The Golden Circle proved less effective yet still left fans gagging for more of Eggsy and he’s merry band of suited and booted friends.

Sadly, due to scheduling conflict, Egerton won’t return and instead we’ve got a whole prequel.

Led by Harris Dickson and Ralph Fiennes, the films looks a race against time to stop the world’s greatest tyrants.

It looks fast-paced and a lot of fun but because of the terrible downfall in quality. What do you think?


The King’s Man is out later this year. 

Captain Marvel – Review

We’ve been heavily anticipating Captain Marvel since they announced the hero’s involvement in The Avengers series. When we saw her insignia flash on Nick Fury’s pager as he faded to dust, we were fully prepared to dive into a whole new superhero origin story. Now she’s here and she is burning bright in every sense of the world.

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Set in 1995, Captain Marvel revolves around Kree soldier in training Vers, who is part of an elite Starforce on the planet Hala and has no memory beyond her six years on the planet. The alien-race of Kree are fighting a war against shape-shifting Skrull army. When Vers is taken hostage, the Skrulls unlock memories from her life before. Throw a daring escape, Vers is sent to Earth alongside a handful of Skrulls. To stop the alien-race invading Earth, Vers pairs up with SHIELD agent Nick Fury and may unlock the very secrets to her being…Could she be Carol Danvers?

Captain Marvel is a pretty good thrill ride. However, unlike Black Panthers new take on a solo outing (where he has been an established character, working on his own separate family issues,) this is an origin outing and therefore suffers from trying to establish a character already part of a grand-scale story.  The film lacks any connection during the beginning which means you aren’t completely invested in Carol “Vers” Danvers. It isn’t until she is jettisoned to Earth and she meets Fury that she opens up and becomes a more intriguing character with serious stakes in the mission.

Brie Larson is always brilliant – and here is no different – but Carol is an amnesiac hero from start to beginning and the grandeur elements of the story engulf the character, losing her from time to time. Whilst Larson does get to the heart of Carol, and she is the bright, smiley spirit within the film, Captain Marvel overwhelms her with on-the-nose empowering messages and nineties nostalgia. This is best exampled when a big fight sequence is set to No Doubt’s I’m Just A Girl. Yes, it’s enjoyable, but also oddly jarring too. It’s great to have a female-led superhero film from Marvel but it’s not good to sound off about it every five minutes.

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This may sound like a negative review. It’s true that Captain Marvel is flawed but it isn’t more flawed than say Captain America: The First Avenger or Doctor Strange’s opening act. It hits every Marvel checkbox from the witty-lines to a somewhat weak enemy.

Positively, Captain Marvel is a lot of fun. From bombastic battles and Carol unlocking her powers  to Brie Larson and Samuel L. Jackson’s BFF relationship, Captain Marvel delivers a lot of super-charged energy. Ben Mendolsohn is a terrific supporting character who has, perhaps, a better arc than our leading character whilst Lashana Lynch anchors the film with more emotion. The soundtrack is brilliant too – making anyone millennial cheer.

Captain Marvel is good – great when you consider that it has a cat called Goose which at one point gets called a Flerken – but it’s not as strong as some movies that have come before it.


Captain Marvel is out on DVD & Blu-Ray now! 

Border – Review

Fairy-tales.. They have seeped throughout time and history. Chattered imagination has been whispered in bed-time stories and campfire horrors. For centuries with been spooked by spectres, haunted by horrors, and frightened by fantasies.

In Scandinavia, adults and children have been particularly terrified by their own particular historical creatures. Creatures which Ali Abbasi has spun into a glorious modern yarn.

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Border revolves around Tina, a woman who has an “ugly” facial structure, who works for the Swedish Border Agency that screens people coming off ships. Tina has a special ability at sniffing out people’s guilt and shame. Living off the grid in a woodland area and with dog-breeder Roland, she spends her time walking the forests nearby or caring for her ailing father. When she comes across a man, Vore, who she can’t sniff out and looks like her, she becomes drawn to him. It becomes apparent that he might be uncover secrets about who she is and the pair become closer…

Border is a subversive and mysterious drama that unravels in a glorious manner. Iranian director Abbasi, whose work includes the much acclaimed Shelley, implements an intriguing modern fairy-tale. The film is an enchantment in some scenes, ghoulish in others, but utterly captivating from start to finish. The film works greatly with these tonal shifts. Offering up some impeccable sequences, including one frivolous and endearing frolic through the sun-streaked trees, the film can be a romantic story one second then horror to ponder the next.

There is also an undercurrent of social commentary here. When the film digs deeper into how we treat those who are different and especially those we deem as “ugly.” The film asks you to shift your perception through graphic sexual scenes or simply Tina being. It also gender-bends throughout and it’s non-conforming ideals make it a magnificent watch.

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The whole of the film wouldn’t work if it weren’t for Eva Melander as Tina. My god is she breath-taking here. Though unrecognisable due to her prominent prosthetics, this doesn’t sop her convey earnest and intimate emotions. Tina is a sympathetic character but doesn’t require pity. She is determined, strong, with an upstanding set of morals whilst also being vulnerable, sweet, and funny. As this film is all about her becoming, Melander beautifully develops Tina and makes a truly cinematic heroine.

Opposite her is Eero Milonoff as Vore. The pair have an instant chemistry with one another the minute they meet but Milonoff keeps his character as mysterious as possible, revealing bit by bit. Though this is Melander’s film, Milonoff is also as expressive and great as Vore, balancing between love interest and possible villain, the actor is unexpectedly alluring.

Border is a brooding film that will stay with you long after watching. That may be because of the graphic sequences and detail, but it’s also because of the soulfulness . The mood and tone matched with some gorgeous imagery are truly affecting, haunting even. There’s also a soulful and mournful message about nature and finding who you are, against the backdrop of an isolating and brutal society. Blending fantasy with social commentary, Border is a riveting and redolent affair.


Border is out 8th March

Everybody Knows (Todos lo Saben) – Review

by Coralie Bizien

Everybody Knows (Todos lo Saben) starts with the metronome sound of a clock mechanism. The introduction send us into the heart of a church bell tower, between darkness and sunlight, while a bird is trapped in a space where it cannot find this way out….

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Laura (Penélope Cruz) returns in Spain with her two children, for the wedding of one of her sisters. She meets Paco (Javier Bardem), ex-lover and the buyer of the part of the family property that Laura had inherited. When her daughter goes missing during the wedding reception, the family is plunged into chaos. Under the eyes of the villagers, the troubles of the past and many resentments reappear…

We meet Laura as an energetic mother, happy attending the reunion of her family. Sweet dialogue exchanges establish the characters and their relationships, allowing us to discover them at the same time. The happiness of the reunion is soon met by with many different struggles such as a ign of financial worries, heartache, and common problems we all meet in life. But the reunion is also an opportunity for Laura’s daughter, Irene (Carla Campra) to meet Felipe (Sergio Castellanos) : a youthful love which, in the shadow of the conjugal celebrations, echoes the love that Laura and Paco once had for each other at their age.

The scenes follow one another and respond to one another, dominated by the ardor that takes precedence over reason until drama and suspicion are imposed. Asghar Farhadi admits the human mechanics even before really sketching the contours.

The audience play the role of a discreet observer who suddenly examines, the masks that shape what is happening in a front of us. Asghar Farhadi captures the silences, the sustained or fleeting glances, like the flighty speeches that dictate the rumour. Their masks fall off and reveal some shenanigans whose interest is, as the title underlines, of little importance.

With the naturalism of his approach and this cast, Asghar Farhadi takes us as far as his camera plunges us into a novel. The complexity of his writing is total; Does he set up a thriller, inviting us to look beyond the acts, facing the souls of these seeming archetypes? The answer of that question came directly from the screen which becomes a mirror where our own reflection is drawn….

The Iranian director doesn’t leave his obsession for human interaction behind. Todos lo saben serves as a manifesto: Farhadi is obsessed with human mechanics, what moves them, what ignites them, and their contradictory movements.

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The structure is well recognised – reminiscent of About Elly (a weekend with friends turns to the criminal investigation coupled with the unveiling of buried intimate secrets) – the film that made Farhadi internationally renowned. Characters who seemed uninteresting are fascinating under the effect of unexpected. In Spanish vineyards, money reigns. We need it for the ransom, we need it to atone for past mistakes. He is the one who gradually undoes Laura’s solar insurance with Paco’s beautiful male chauvinist, and exercises that their performers (Cruz and Bardem) master perfectly.

With Todos lo saben, the Iranian director does not hesitate to highlight themes such as temporality and the importance of the past, mixing with the codes of a thriller as well as snippets of a great striking human comedy. Farhadi is not at his best, a little too academic, a little too “great cinema”, but it remains a very pleasant, tense and highly recommendable film.


Everybody Knows (Todos lo Saben) is out on DVD & Blu-Ray now!

Judy – Brand New Trailer!

Judy Garland is one of our biggest icons. Now she has her very own biopic about her life.

The film looks at Judy Garland’s later life as she struggles with drug addiction, bankruptcy, and failed marriages.

This definitely feels like Renee Zellwegers punt for an Oscar this year and judging by a trailer, it could be an easy win. What do you think?


Judy is out later this year! 

Disney’s Maleficent: Mistress of Evil

Perhaps the film that kicked off the live-action Disney phenomenon, Maleficent proved mildly successful. The film which re-imagined Disney’s greatest villain now has a sequel.

Mistress of Evil sees the eponymous  character grapple with her dark side once again as she opposes Aurora’s

There are obvious plot points mapped out and highlighted. In fact, it all seems pretty obvious in what we can expect. Angelina Jolie looks GREAT THOUGH!

I mean…

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COME ON!

What do you think?


Maleficent: Mistress of Evil is out later this year!