Judy – Brand New Trailer!

Judy Garland is one of our biggest icons. Now she has her very own biopic about her life.

The film looks at Judy Garland’s later life as she struggles with drug addiction, bankruptcy, and failed marriages.

This definitely feels like Renee Zellwegers punt for an Oscar this year and judging by a trailer, it could be an easy win. What do you think?


Judy is out later this year! 

Disney’s Maleficent: Mistress of Evil

Perhaps the film that kicked off the live-action Disney phenomenon, Maleficent proved mildly successful. The film which re-imagined Disney’s greatest villain now has a sequel.

Mistress of Evil sees the eponymous  character grapple with her dark side once again as she opposes Aurora’s

There are obvious plot points mapped out and highlighted. In fact, it all seems pretty obvious in what we can expect. Angelina Jolie looks GREAT THOUGH!

I mean…

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COME ON!

What do you think?


Maleficent: Mistress of Evil is out later this year! 

The Hole In The Ground – Review

Children in movies are adorable. They speak in this high-pitched cute curious tones that make us all tilt our head to one side and go “awwwwwww.” We can’t help but adore them. (Well, sometimes – others think that they are annoying and whiney but that’s moot here.)

However, if you put any child of any cuteness in a horror film – they are bound to creep you out. Horror movie children – even if they are the victim – are insanely disturbing and even more so if they are the terror that haunts you (See: The Village, The Grudge, The Rin

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This year’s highly underrated horror gem, The Hole In The Ground sees young Sarah moving to a small secluded Irish village with her son Chris, following from an abusive relationship. When Chris gets lost in the woods, Sarah finds him on the edge of a sinkhole that is ever growing in the forest by their home. When she gets him back, she starts to notice peculiar things and starts to suspect that her child may not be what he seems. Soon Sarah starts to spiral out of control…

Lee Cronin’s  uneasy horror is a masterfully paced horror that unnerves you from the beginning.  From the brown-hued cinematography to the imposing forest that creaks and looms with the Stephen McKeon’s enrapturing score, The Hole In The Ground is about tension that crawls across your skin and digs into your senses. Cronin builds by having the audience constantly question along with Sarah. As you try to work out why the dead-eyed, innocent-speaking Chris is evil or not, the writing and direction lulls you into a horrifying scare.

Seána Kerslake is brilliant as Sarah. She performs as a woman utterly unsure about her weird- acting child. Caught between utter reason – as no one else around her can sense there is something wrong – or the gnawing gut feeling that her child is not her own, Kerslake brilliantly unravels Sarah with great affect as you follow your her in this utterly terrifying journey. Young James Quinn Markey is effective as Chris. For such a young actor, he really captures that sense of unease with his  character, making seamlessly innocent moments – such as a classic school performance -completely petrifying.

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As with most things, The Hole In The Ground falters somewhat in the big finale and reveal. It’s not a big falter but because you have all the answers, a lot of that juicy and delicious tension melts away. Again, this isn’t a huge deal because Cronin succeeds in taking you on this intense horror journey that sticks with you after.

With a brooding atmosphere and stunning acting, The Hole In The Ground is one of the best horrors, and films, of the year.


The Hole In The Ground is out on DVD & Blu-Ray now! 

Ray and Liz – Review

First features always have smatterings of something deeply personal. Desiree Akhavan explored her New York life in Appropriate Behaviour whilst  Bo Burhnam injected his own sense of self into Eighth Grade. Filmmakers always input their souls into their films but for a first feature, it always seems more poignant – closer to the director’s reality.

For Richard Billingham, his debut Ray & Liz truly puts a picture of his life on the big screen in a complex, brooding, and utterly beautiful way.

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Ray & Liz is based onon a video artwork of photographer Billingham, as well as a book collection called Ray’s a Laugh. Billingham puts his own experiences of life in Birmingham on the big screen. The film starts off with an aged alcoholic Ray stumbling around his own flat, drinking home-brew and chain-smoking. At different times, Ray looks back at his life with the volatile Liz, their children Richard and Jason, and the world of 1970s Birmingham.

Ray & Liz is such an impacting slice of British life. The film is so detailed in its craft and really awakens this authentic period setting. . As director Richard Billingham brings the stories of his own life onto the big screen, it feels so much as though we’ve stepped into this picturesque world. As exquisite as it maybe in cinematography, and shots, Billingham imbues the background with a lot of background. It’s so distinct and detailed in the drab dirtiness of near-poverty that one familiar with that life would practically be able to smell the cheap hairspray or damp.

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Billingham deals with his own life story in such an intimate way. His tragic ode to his family doesn’t feel embittered or angered. Instead, this bleak depiction of his childhood, scattered with odd humour, has an ingrained empathy for his neglectful parents. Played by the impressive Ella Smith and the formidable Justin Salinger , their selfish and scheming behaviour is tangible throughout. The caustic manner in the way they are lends itself to the gloomy and problematic way of life for them and their children. Yet Billingham is wary to not put blame on his parents. Instead, through snippets about his uncle or brother or even himself, the director shows that this is just life as it was. Or, even, life as it is for people maligned to the outskirts of society.

Actually, this is a story about people who are society; folk scraping by on dole and redundancy money, frittering way the pennies for alcohol or begging others it by hounding and hassling. As their children attempt to find warmth in other homes, the titular pair scrounge for cigarettes on the underpass or walk their bunnies in the park without really questioning where their children have been. The films impoverished family are gloriously realised on the big screen; in all their scathing sorrow.

The earnestness on display in Billingham’s Ray & Liz is impacting. An ever-lasting ode to family life that bears it’s bruises and scars for all to see. An intimate display of despair that moves with a spirit and a soul, this poignant cinematic poetry is definitely one to see.


Ray and Liz is out on DVD & Blu-Ray now!