by Thomas Harris The script for Gemini Man – in some way or form – has been banging around Hollywood for 20 or so years, bouncing from Harrison Ford to Mel Gibson, Jon Voight to Chris O’Donnell (yes to both), Arnie to Sly, consistently hampered by a lack of technological advancement. 1997 found Tony Scott firmly attached, and 20 years later, now released in eye … Continue reading Gemini Man – Review