We are in a hospital. The camera is on the move to the tune of the Five Satins’ ‘In the Still of the Night’. Nurses, staff go about their business. A wheelchair propelled by a vaguely familiar older man cuts across the screen into a communal lounge. The camera moves past it and carries on its course. Then it does a left, entering the lounge … Continue reading The Irishman – BFI London Film Festival 2019 Review