by Anton Bitel Slashers and other kinds of psychodrama typically feature a sequence which, in a phrase borrowed from Sigmund Freud, gets called the ‘primal scene‘ – often opening the film, or shown in flashback, and capturing the formative psychosexual moment of childhood trauma that leads a confused young innocent to become a profoundly disturbed individual in adulthood. In keeping with its title, Sound of … Continue reading Sound of Violence – SXSW Review