Zola – Review

by Sarah Cook

“Wanna hear a story about how me and this bitch fell out?”
The infamous Twitter thread from Aziah “Zola” King made waves on the internet years ago. The little, long tale of suspense captured the world like a Shakespeare play back in the day. The sordid tale was ripe for a cinematic outing.

Director Janicza Bravo is in the driving seat to bring this riotous road-trip to the big screen and, boy, do we go on a journey.

Zola revolves around the titular waitress and dancer who meets the mysterious Stefani whilst waiting on her. The pair hit it off right away, heading out to the club on that same night and constantly messaging one another. The next day, Stefani invites Zola to Florida, promising more money whilst stripping. Bringing along her boyfriend Derrick and a mysterious man named X, Stefani takes Zola on a ride full of sleaze, sex, and the biggest dick you’ve ever seen.

The movie opens with Zola and Stefani putting on make-up in front of a set-up of mirrors. The hazy, gritty aesthetics and pastel tones mixed with a dream-like harp score by Mica Levi sends us straight into this fantasy. It is almost as though we entered those seventies adult movies with the pink colours and lush set design. Bravo is inventive with bringing this to cinematic life and Zola oozes with original charm. The highlight here is a sex montage that is made to feel like a saucy 35mm movie being slid onto the screen of a naughty midnight cinema screening. Brilliantly, the onus and camera focus on men engaging in the pleasure instead of graphic shots of women. Zola is filled with this mesmerising cinematography that is perfectly paired with this almost mystical story.  

Zola (2020) - IMDb

Bringing to life this unbelievable story from just a thread of tweets cannot have been easy yet Bravo and writer Jeremey O. Harris do a spectacular job. The most important part of this screenplay is to bring flesh out Zola as her own person and not just a conduit to the audience.  She can’t just be the narrator, and you can tell that the filmmakers worked at bringing the real-life Zola into the fictional one. This is a strongly written character who is sent on this whirlwind adventure but at times finds herself in the driving seat.  Zola tells the story, true, but the writers are not afraid to question parts and leave the moments ambiguous.

Rising star Taylour Paige is incredible at tackling Zola. There is this incredible face she pulls that conveys so much worry, stress, and anger all at once. She’s funny but she is also emotional and that comes across in Paige’s performance. Riley Keogh has always been a deft hand at playing bizarre characters   Plus, Colman Domingo dominates the screen as the ferocious and unpredictable X.

Zola is an incredible wondrous whirlwind. A story in the heat-soaked concrete of America where creatures of the night roam.  While it may not poke deeper into these characters, this is a sensational and surreal snapshot into nightlife.  An exploitation of both male desire and female bodies, Zola is a bold, daring, and courageous outing for Bravo.

And for that, we do indeed, say bravo. Send tweet.

Zola is out in cinemas Friday 6th August

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